<?xml version="1.0"?>
<atom:feed xmlns:atom="http://www.w3.org/2005/Atom"><atom:id>http://afropopshop.org/</atom:id><atom:title>New Music From Les Primitifs Du Futur on Calabash Music</atom:title><atom:updated>2008-11-22T06:52:16Z</atom:updated><atom:link href="http://afropopshop.org//world/publisher/artistView/action/getfeed/item_id/73308/feedtype/102/output/feed/atom.xml" rel="self"/><atom:author><atom:name>The Calabash Music Team</atom:name><atom:email>support@calabashmusic.com</atom:email></atom:author><atom:entry><atom:title>World Musette</atom:title><atom:id>http://lesprimitifsdufutur.afropopshop.org/#album_73309</atom:id><atom:updated>2006-12-12T07:40:55Z</atom:updated><atom:link href="http://lesprimitifsdufutur.afropopshop.org/#album_73309"/><atom:summary>Music from World Musette</atom:summary><atom:content type="html"><![CDATA[<img src='http://files.afropopshop.org/images/73309/world_musette.jpg'>The story of the Primitifs du Futur begins in 1986, when Robert Crumb was invited to take part in the Angoul&ecirc;me Comic-Book Festival. He stayed on after the event and made Paris his home for a few months, together with his wife and daughter.It's not widely-known that the man who was Pope of the underground comic in the Seventies is also a great admirer of Twenties' and Thirties' recordings &ndash; principally blues and country, but also French music like the musette variety popular in Paris. A talented mandolin-player who also plucks the banjo and the ukulele, Crumb was for a long time the leader of a now-legendary group calling itself The Cheap Suit Serenaders.  He was introduced to Dominique Cravic, who took him forthwith to visit another mandolin-freak by the name of Jean-Claude Asselin, and the result was a kind of mpromptu &ldquo;musette jam&rdquo;. Before Crumb returned to The United States, the whole crew decided that these moments of great utopia should be preserved for posterity. A gleeful Cocktail d&rsquo;amour was recorded &ndash; a famous 10&quot; vinyl now a real collectors' item &ndash; containing six tracks that mingled blues and musette with a tender fervour.  The group quickly found a name for itself: Les Primitifs du Futur. The droll, provocative paradox in the name was seen by Cravic and Roussin as a deliberate statement of a basically simple conviction: that it was possible to invent a new youth for the past, to make new from old.]]></atom:content></atom:entry></atom:feed>
